Depot Theater

Deathtrap
2003-10-02 - 2003-10-25
Deathtrap is a 1978 play by Ira Levin that involves many plot twists. Nominated for the Tony Award for Best Play, it holds the record as the longest-running comedy-thriller on Broadway. Sidney Bruhl is a once-successful playwright whose last several productions have flopped at the box office. He then receives a script by a novice writer named Clifford Anderson for a stage thriller entitled Deathtrap. Bruhl tells his wife Myra that the script is brilliant and he then concocts a murder plot whereby he will offer to help Anderson rewrite the script, but will instead kill him and pass the play off as his own. Needless to say, the plan quickly spirals out of control.
PERFORMANCE DATES: October 2-25, 2003
CAST: Sidney Bruhl – Seth Eckelman, Myra Bruhl – Sarah Simpson, Clifford Anderson – Mark Vierthaler, Helga Ten Dorp – Bev Hooker, Porter Milgram – Christopher Pyle
CREW: Director – Jennifer Bell, Stage Manager – Sherry Polkinghorn, Sound Design – Alan Stukenholtz, Set Design – Dave Wetmore, Jim Gilman, M.J. Straight, Light Board Operator/Sound Board Operator – Christopher Pyle and Sarah Simpson, Costume Design – Janelle Mattingly, Traza Ricke, Ana Koerchner
MENU: Tossed salad with choice of dressing, Autumnal beef, potato, corn, dinner roll, pear cake with twist. Catering provided by Linda Bethke, Andrea Bethke, Wendy Nelson, Kathy Morgan, Milly White, Kristina Mortimer, Teresa Hogan, Barb Duesing, Tanner Julian, Jacob Busch.

Pete 'n' Keely
2003-04-03 - 2003-05-03
It’s 1968 and two of America’s singin’ sweethearts unite for a live television special celebrating their hit parade career on TV and in Las Vegas showrooms. But there’s just one catch – they haven’t spoken to each other since their breakup five years earlier. This kitschy spoof follows Pete ‘n’ Keely as they stroll down memory lane reprising their greatest hits and all the while taking “unscripted” swipes at each other which only adds to the fun and hilarity. Songs included Richard Rodgers’ “Lover” and Steve Allen’s “This Could Be the Start of Something Big.”
PERFORMANCE DATES: April 3 – May 3, 2003
CAST: Keely Stevens – Karen Carroll and Pete Bartel – Jason Hart
ORCHESTRA/BAND: Musical Director/Keyboard I – Patty Ahern, Keyboard II – Kristina Mortimer, Bass – Richard Smith
CREW: Director – Don Steele, Stage Manager – Jacob Busch, Costume Design – Dee Miller, Set Design – Dave Wetmore, Jim Gilman, M.J. Straight, Sound Design – Alan Stukenholtz, Light Design/Light Board Operator/Sound Board Operator – Matt Duesing
MENU: Salad, beef roulade, potatoes, asparagus with Hollandaise, sourdough rolls, creme brulee. Catering provided by Linda Bethke, Andrea Bethke, Wendy Nelson, Mary Stukenholtz, Faye Trent, Milly White, Deb Aistrup, Denis Ann Bamberger, Cody Quintero, Teresa Hogan, Barb Buesing, Mark Vierthaler, Tanner Julian, Carol Klein, Ryan ROyle, Angie Schaefer, Dee Dee Royle, Penny Stewart

It Runs in the Family (Reprise)
2003-02-06 - 2003-03-01
(Original: January 1992). “If you’re going to tell a lie, tell a whopper,” yells Dr. Mortimore as events begin to spin deliriously out of control in Ray Cooney’s It Runs in the Family (originally presented by the Company in 1992). Inadvertently, he’s identifying, in the midst of his panic, the motor that propels all the best farces. Deception, mistaken identities, double-entendres, puns and flapping doors fuel this high octane comedy. Set in the doctor’s lounge of a London hospital three days before Christmas, the staff is preparing the annual holiday show. But that is only the sideshow. The real business is a conference of neurosurgeons. As Dr. David Mortimore is preparing his lecture (that should guarantee him a knighthood and the hospital some badly needed funds), a former nurse bursts in with the news that their fling some 18 years and 9 months ago made Mortimore a father. The boy (emotionally high strung and under arrest for driving under the influence) is downstairs, desperate to meet his long lost Dad. Now the good doctor really practices what he preaches. Lies pile on lies, as he enlists his colleagues to deceive his wife, his boss, a police sergeant and even his newfound son. Sharp syringes, crashing wheelchairs, squirting seltzer bottles, doctors in nurse drag, and window ledge wrestling matches gear the farce into overdrive.
PERFORMANCE DATES: February 6 – March 1, 2003
CAST: Dr. David Mortimer – Kyle Hager, Dr. Mike Connolly – Jason W. Hart, Rosemary Mortimer – Darleen Clifton Smith, Dr. Hubert Bonney – Kent Ross, Matron – Joanne Whelchel, Sir Willoughby Drake – Pete Bethke, Jane Tate – Amy Reinert, Sister – Denise Ruemping, Leslie – Mark Vierthaler, Police Sergeant – Jim Johnson, Bill – Kelly Carrol, Mother – Bev Hooker
CREW: Director – Joe Walker, Set Design – Alice Bell/Jennifer Bell, Costume Design – Deedee Miller, Sound Design – Alan Stukenholtz, Light Design – Matt Duesing, Stage Manager – Jennifer Bell
MENU: Medley salad, pork, rice, vegetables, bread, orange cake

Don's Place (Cabaret)
2003-01-01
The cabaret featured three ladies (Dee Dee, Amy, Karen) and two guys (Kyle, Jason) and Joe the Drummer. As usual, two great evenings of song and Don Steele. Thnks to the cast for volunteering their time and talents, and thanks to Alan for setting up the sound, Keith for running the sound, and Matt for focusing and running lights. Linda and the kitchen crew did a great job too.
PERFORMANCE DATES: January, 2003

Forever Plaid
2002-12-05 - 2002-12-22
Forever Plaid is an off-Broadway musical comedy written by Stuart Ross in New York in 1990 and now performed internationally. The critically acclaimed show is an affectionate revue of the close-harmony “guy groups” (think The Four Aces or The Four Freshmen) that reached the height of their popularity during the 1950s. Personifying the clean-cut genre, this quartet of high-school chums’ earnest dreams of recording an album ended in death (literally and indeed, symbolically) in a collision with a bus filled with Catholic schoolgirls on their way to see the Beatles’ American debut on The Ed Sullivan Show. The play begins with the Plaids returning from the afterlife for one final chance at musical glory. The songs they sing during the course of the musical include: “Three Coins in the Fountain,” “Gotta Be This or That,” “Moments to Remember,” “No, Not Much,” “Sixteen Tons,” “Perfidia,” “Heart and Soul,” “Lady of Spain,” “Scotland the Brave,” “Shangri-La,” “Rags to Riches,” and “Love is a Many-Splendored Thing.”
PERFORMANCE DATES: December 5-22, 2002
CAST: Jinx – Kyle Hager, Francis – Jason Hart, Sparky – Joe Walker, Smudge – Alan Stukenholtz
ORCHESTRA/BAND: Keyboard – Sara McFarland, Bass – Jim Johnson
CREW: Director – Connie Penick, Stage Manager – Kristina Mortimer, Stage Manager/Properties Master – Sarah Simpson, Set Design – Dave Wetmore, Jim Gilman, M.J. Straight, Costume Design – Dee Miller, Sound Design – Alan Stukenholtz, Light Design/Light Board Operator – Matt Duesing, Properties Master – Marcia McVay, Sound Board Operator – Christopher Pyle
MENU: Chicken noodle soup, turkey and corn dressing, sweet potato bake, green bean casserole, cranberry sauce, banana muffin, hot butter rum cheesecake. Catering provided by Linda Bethke, Andrea Bethke, Pete Bethke, Andrew Mortimer, Kathy Morgan, Faye Trent, Milly White, Deb AIstrup, Denis Ann Bamberger, Jacob Busch, Sharon Thompson, Barb Duesing, Claudia Pyle, Wendy Nelson, Carol Klein, Dee Dee Royle, Ryan Royle.

Lend Me a Tenor
2002-10-03 - 2002-10-26
Set in 1934, this farce revolved around renowned tenor Tito Merelli, known to his fans as “Il Stupendo,” who is scheduled to sing the lead in Otello, produced as a gala fundraiser for the Cleveland Opera Company. Unfortunately, even before the star leaves his hotel room, everything begins to unravel. Chaos ensues when Merelli’s wife, who has mistaken an autograph-seeker hidden in his closet for a secret lover, leaves him a “Dear John” letter. The distraught Merelli accidentally is given a double dose of tranquilizers to calm him and passes out. Saunders, the company’s General Manager, is determined the show must go on (for his own financial sake), so he asks his assistant Max to impersonate the opera star. Max puts on the blackface makeup required for the role of Otello, and his disguise succeeds admirably–until Merelli, also in blackface, wakes up and heads for the stage. What follows is a chain-reaction of mistaken identity, plot twists, double entendres, innuendoes, and constant entrances and exits through many doors.
PERFORMANCE DATES: October 3-26, 2002
CAST: Max – Jason W. hart, Maggie – Dee Dee Royle, Saunders – Kelly Carroll, Tito – Kyle J. Hager, Maria – Sara McFarland, Bellhop – Seth Andrew Eckelman, Diana – Jennifer Bell, Julia – Sarah Simpson
CREW: Director – Christopher Pyle, Stage Manager – Sherry Polkinghorn, Costume Design – Dee Miller, Set Design – Dave Wetmore, Jim Gilman, M.J. Straight, Sound Design – Alan Stukenholtz, Light Design/Light Board Operator/Sound Board Operator – Matt Duesing
MENU: Salad, stroganoff, vegetables, potato roll, Autumnal carmen cake. Catering provided by Linda Bethke, Andra Bethke, Pete Bethke, Kathy Morgan, Kristina Mortimer, Faye Trent, Milly White, Deb Aistrup, Alan Stukenholtz, Carla Stukenholtz, Denis Ann Bamberger, Jacob Busch, Sharon Thompson, Barb Duesing, Claudia Pyle, Wendy Nelson, Carol Klein.

Moon over Buffalo
2002-04-04 - 2002-04-27
Moon Over Buffalo by Ken Ludwig follows the story of George and Charlotte Hay, traveling actors, who are performing Cyrano de Bergerac and Private Lives in a repertory theatre in Buffalo. Charlotte has grandiose dreams of becoming a Hollywood film star; George, on the other hand, is quite satisfied as a stage actor, and sees live theatre as being superior to film. George receives a phone call from Frank Capra, a very famous film director, who says that he needs replacements for Ronald Colman and Greer Garson, the two stars of his current film, The Scarlet Pimpernel, and that he plans to see one of George’s shows and consider George and Charlotte for the parts. Charlotte, however, doesn’t believe George when he gives the news; she has just learned that George has had an affair with one of their actors, Eileen, and that Eileen is pregnant with George’s child. Charlotte tells George she plans to leave with Richard, a successful and charismatic lawyer. George, despondent, gives up hope and turns to alcohol to drown his misery. With lots of situation comedy as well as some sexual innuendo and a little slapstick, the action and dialogue are fast-paced, as the characters are constantly bickering or frantically trying to resolve some confusion.
PERFORMANCE DATES: April 4-27, 2002
CAST: First Soldier/Paul – Kyle Hager, Second Soldier – Adam McElwain, De Guiche/Richard – Jim Johnson, Third Soldier/Eileen – Kristina Mortimer, Cyrano/George Hay – Kent Ross, Roxanne/Charlotte Hay – Darleen Clifton Smith, Ethel – Bev Hooker, Rosalind – Jennifer Bell, Howard – Adam McElwain
CREW: Director – Don Steele, Stage Manager – Sherry Polkinghorn, Costume Design – Dee Miller, Sound Design – Alan Stukenholtz, Light Board Operator/Sound Board Operator – Matt DUesing, Set Design – Jim Gilman, Dave Wetmore
MENU: Salad, pot roast, green beans, mashed potatoes, potato roll, white chocolate mousse in dark chocolate cup. Catering provided by Linda Bethke, Andrea Bethke, Pete Bethke, Kathy Morgan, Mara Morgan, Faye Trent, Milly White, Deb Aistrup, Alan Stukenholtz, Carla Stukenholtz, Denis Ann Bamberger Dee Dee Royle, Sharon Thompson, Barb Duesing, Chris Pyle, Claudia Pyle, Wendy Nelson

The Supporting Cast
2002-01-31 - 2002-02-23
The Supporting Cast written by George Furth tells the story of Ellen, the wife of a successful author, who has written a book of her own called “The Supporting Cast” which describes the roles of her characters — the movie star’s wife, the playwright’s husband, the celebrity conductor’s mother, and the politician’s wife. But the thinly disguised characters in the book are actually her best friends in real life. She has invited them – all visiting New Yorkers – to her Malibu beach house to break the news to them gently that they are depicted in the book, warts and all. They react with shock, dismay, fury, and of course – hilarity! There’s humor from both coasts, natural and man-made disasters, mayhem, merriment and plenty of laughs for the audience!
PERFORMANCE DATES: January 31 – February 23, 2002
CAST: Ellen – Connie Penick, Mae – Sherry Polkinghorn, Sally – Wendy Nelson, Arnold – Pete Bethke, Florrie -Sarah Simpson
CREW: Director – Jason Hart, Stage Manager/Costume Design – Joanne Welchel, Costume Design – Jana Ross and Donna Kaiser, Light Board Operator/Sound Board Operator – Matt Duesing, Properties Master – Marcie McVay, Sound Design – Alan Stukenholtz
MENU: Winter pasta salad, chicken Kiev, capri vegetables Hollandaise, roast potato wedges, croissant, New York cheesecake. Catering provided by Lind Bethke, Andrea Bethke, Kathy Morgan, Mara Morgan, Kristina Mortimer, faye Trent, Milly White, Deb Aistrup, Alan Stukenholtz, Carla Stukenholtz, Denis Ann Bamberger, Dee Dee Royle, Sharon Thompson, Barb Duesing.

Sanders Family Christmas
2001-12-01 - 2001-12-16
Perfect for the holiday season, this sequel to Smoke on the Mountain sees the Sanders family return to the Mount Pleasant Baptist Church on Christmas Eve 1941. Rev. Oglethorpe has invited the family back to sing and witness, getting the congregation into the holiday spirit before the boys, including one of the Sanders’ own, are shipped off to World War II. Filled with vintage hymns and old-time Christmas favorites and hilarious yuletide stories from the more or less devout Sanders Family this family musical was the perfect treat for the holiday season.
PERFORMANCE DATES: December 1-16, 2001
CAST: Mervin Oglethorpe – Joe Walker, June Sanders – Dee Dee Royle, Burl Sanders – Jim Johnson, Denise Sanders – Kristina Mortimer, Dennis Sanders – Kyle Hager, Ver Sanders – Denis Ann Bamberger, Uncle Stanley – Kelly Carroll, Cousin Earl – Alan Stukenholtz, Aunt Ethel – Sara McFarland
CREW: Director – Don Steele, Light Design/Light Board Operator – Matt Duesing, Costume Design – Dee Miller
MENU: Cream of tomato soup, baked ham and cornbread stuffing, broccoli almondine, Swiss potatoes, orange blossom muffins, egg nog cream puffs. Catering provided by Linda Bethke, Andrea Bethke, Linda Owens, Kathy Morgan, Mara Morgan, Pete Bathke, Jerad Busch, Faye Trent, Milly White, Barb Duesing, Carla Stukenholtz, Deb Aistrup, Sherry Polkinghorn, Sarah Simpson, Sharon Thompson

Sleuth!
2001-10-04 - 2001-10-27
Sleuth! was play written by Anthony Shaffer and is set in the Wiltshire, England manor house of Andrew Wyke, an immensely successful mystery writer. His home reflects Wyke’s obsession with the inventions and deceptions of fiction and his fascination with games and game-playing. He lures his wife’s lover, Milo Tindle, to the house and convinces him to stage a robbery of her jewelry, a proposal that sets off a chain of events that leaves the audience trying to decipher where Wyke’s imagination ends and reality begins. Shaffer said the play was partially inspired by one of his friends, composer Stephen Sondheim, whose intense interest in games-playing is mirrored by the character of Wyke.
PERFORMANCE DATES: October 4-27, 2001
CAST: Andrew Wyke – Kelly Carroll, Milo Tindle – Jason Hart, Inspector Doppler – Pete Bethke, Detective Sergeant Tarrant – Barry Metcalf, Police Constable Higgs – Kyle Hager
CREW: Director – Joe Walker, Stage Manager – Sherry Polkinghorn, Costume Design – Dee Miller, Set Design – Don Steele, Light Board Operator/Sound Board Operator – Matt Duesing
MENU: Tossed salad, smother steak, carrots supreme, baked potato, Parker House roll, spice cake. Catering provided by Linda Bethke, Andrea Bethke, Linda Ownes, Kathy Morgan, Mara Morgan, Pete Bethke, Jerad Busch, Faye Trent, Milly White, Denis Ann Bamberger, Alan Stukenholtz, Carla Stukenholtz, Deb Aistrup, Sarah Simpson, Sharon Thompson

Steel Magnolias (Reprise)
2001-04-05 - 2001-05-05
(Original: February 1989). Steel Magnolias was reprised in April 2001. Based on the tragic story of Robert Harling’s elder sister – who was diabetic, the action centers around Truvy’s beauty parlor and some women who regularly gather there. The drama begins on the morning of Shelby’s wedding to Jackson and covers events over the next three years, including Shelby’s decision to have a child despite having diabetes and the complications that result from the decision. We also get a glimpse of the unlikely friendship between Clairee and Ouiser; Annelle’s transformation from a shy, anxious newcomer in town, to a partying woman, then to a religious fundamentalist; and Truvy’s relationships with the men in her family. Although the main storyline involves Shelby, her mother, and Shelby’s medical battles, the underlying group-friendship among all six women is prominent throughout the drama.
PERFORMANCE DATES: April 5 – May 5, 2001
CAST: Annelle Dupuy-Desoto – Coree Unruh, Truvy Jones – Dee Dee Royle, Clairee Belcher – Karen Carroll, Shelby Eatenton-Latcherie – Jennifer Bell, M’Lynn Eatenton – Debbie Payne, Ouiser Boudreaux – Sarah Simpson
CREW: Director – Joe Walker, Stage Manager – Connie Penick and Kyle Hager, Light Board Operator/Sound Board Operator – Paul D. Marshall, Hair/Make up – Johnny Martinez, Sound Design – Alan Stukenholtz, Costume Design -Dee Miller, Set Design – Don Steele, Ted Warshaw, Jerad Busch
MENU: Cole slaw, oven fried chicken, corn, potato delight, blueberry muffin, chocolate peanut dessert. Catering provided by Linda Bethke, Andrea Bethke, Linda Owens, Kathy Morgan, Mara Morgan, Pete Bethke, Jerad Busch, Faye Trent, Milly White, Denis Ann Bamberger, Alan Stukenholtz, Carla Stukenholtz, Deb Aistrup, Sharon Thompson

Over the River and Through the Woods
2001-02-01 - 2001-02-24
Nick is a single, Italian-American guy from New Jersey. His parents retired and moved to Florida. That doesn’t mean his family isn’t still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he’s been offered a dream job. The job he’s been waiting for—marketing executive—would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn’t sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family’s love to move to Seattle, for a job, wonder his grandparents? Well, Frank, Aida, Nunzio and Emma do their level best, and that includes bringing to dinner the lovely—and single—Caitlin O’Hare as bait….
PERFORMANCE DATES: February 1-24, 2001
CAST: Nick Cristano – Joe Walker, Frank Gianelli – Kyle Hager, Aida Gianelli – Connie Penick, Nunzio Cristano – Kelly Carroll, Emma Cirstano – Karen Carroll, Caitlin O’Hare – Jennifer Bell
CREW: Director – Christopher Pyle, Stage Manager – Julie Nelson, Light Design/Set Design – Ted Warshaw, Set Design – Don Steele and Jerad Busch
MENU: Pasta salad, lasagna, green salad, bread stick, tiramisu. Catering provided by Linda Bethke, Andrea Bethke, Linda Owens, Kathy Morgan, Pete Bethke, Jerad Busch, Faye Trent, Milly White, Denis Ann Bamberger, Alan Stukenholtz, Carla Stukenholz, Sarah Simpson, Deb Aistrup, Claudia Pyle.

Sorry! Wrong Chimney!
2000-11-30 - 2000-12-17
Sorry! Wrong Chimney by Jack Sharkey & Leo W. Sears tells the story of David Tuttle who is moonlighting as a department store Santa so that he can buy his wife a fur for Christmas. He tells her he’s working late at the office, but she finds out he isn’t at the office. A suspected other woman, hypnotism, the notorious Santa burglar Kris Kreigle and his gun toting fiancee, and a confused policeman add up to a rollicking tale that is hilarious Christmas or anytime entertainment.
PERFORMANCE DATES: November 30 – December 17, 2000
CAST: Samantha – Claudia Pyle, Natalie – Sarah Simpson, David – Chris Pyle, William – Kent Ross, Kris – Andrew Mortimer, Sheila – Kristina Mortimer, Policeman – Pete Bethke
CREW: Director – Connie Penick, Stage Manager – Sherry Polkinghorn, Light Board Operator/Sound Board Operator/Set Design – Ted Warshaw, Costume Design – Dee Miller, Set Design – Jerad Busch
MENU: Cream of potato soup, turkey breast with apricot glaze, peach pecan dressing, winter squash, lemon poppy seed muffin, black forest crepe. Catering provided by Linda Bethke, Andrea Bethke, Linda Owens, Kathy Morgan, Mara Morgan, Kyle Hager, Barb Duesing, Jerad Busch, Suzy Busch, Faye Trent, Milly White, Carla Stukenholtz.

Smoke on the Mountain
2000-09-21 - 2000-10-14
Smoke on the Mountain tells the hilarious and heartwarming story of a Saturday Night Gospel Sing at a country church in North Carolina’s Smoky Mountains in 1938. The show features two dozen rousing bluegrass songs played and sung by the Sanders Family, a traveling group making its return to performing after a five-year hiatus.
PERFORMANCE DATES: September 21 – October 14, 2000
CAST: Rev. Mervin Oglethorpe – Joe Walker, June Sanders – Dee Dee Royle, Burl Sanders – Jim Johnson, Vera Sanders – Denis Ann Bamberger, Stanley Sanders – Kelly Carroll, Dennis Sanders – Kyle Hager, Denise Sanders – Kristina Morgan, Cousin Earl – Alan Stukenholtz
CREW: Director – Don Steele, Light Design – Paul D. Marshall, Costume Design – Dee Miller, Sign Language Coach – Sharon Grice
MENU: Salad, BBQ pork, potato casserole, succotash and black eyed peas, buttermilk biscuits, caramel apple purse. Catering provided by Linda Bethke, Andrea Bethke, Linda Owens, Kathy Morgan, Steve Morgan, Pete Bethke, Andrew Mortimer, Barb Duesing, Faye Trent, Milly White, Carla Stukenholtz

Stop the World, I Want to Get Off!
2000-04-13 - 2000-05-06
Stop the World, I Want to Get Off! is a Bricusse & Newley musical that tells of the ephemeral nature of worldly success and the efforts by Littlechap, the hero to apply some braking effect to the world which for him is spinning out of control. When Littlechap finds himself a father before his time, he agrees to marry Evie for the certain business advantages it presents. But the business success is far-outweighed by the trap of responsibility for a family. He turns to women of the world for fulfillment but late in life discovers that he has wasted his life looking for something that was there all the time – the true love of his wife. Littlechap sings the show-stopping “What Kind of Fool Am I?”
PERFORMANCE DATES: April 13 – May 6, 2000
CAST: Littlechap – Kyle Hager, Evie/Anya/Ilse/Ginnie – Marci Williams, Susan – Coree Unruh, Jane – Mara Morgan, The Boy – Andrew Mortimer, The Chorus – Jessica Goering, Sherry Polkinghorn, Sarah Simpson
ORCHESTRA/BAND: Piano – Kristima Mortimer
CREW: Director – Don Steele, Stage Manager – Andrew Mortimer, Light Design – Ted Warshaw, Costume Design – Dee Miller
MENU: Salad, steak, baked potato, corn, potato roll, lime tart. Catering provided by Linda Bethke, Andrea Bethke, Linda Owens, Darleen Clifton Smith, Linda Connelly, Kathy Morgan, Steve Morgan, Pete Bethke, Mary Ann Straight, Barb Duesing, Faye Trent, Milly White, Dee Miller

Cash on Delivery!
2000-02-03 - 2000-02-26
In Cash on Delivery!, author Michael Cooney weaves a particularly tangled web as he introduces a young Englishman who has been playing fast and loose with the Social Security system ever since he lost his job a few years prior. This crafty fellow has invented dozens of imaginary boarders at his home to receive generous tax benefits, all of which go directly into his own bank account. It’s when he attempts to right the situation that the wickets become a bit sticky. Neither his wife nor their upstairs boarder are aware of his chicanery and thus become living props in a developing and intricate plot. Then there’s Uncle George, who has his own scam going on but becomes enmeshed in his nephew’s after several slams against an opening door render him lifeless.
PERFORMANCE DATES: February 3-26, 2000
CAST: Eric Swan – Kent Ross, Linda Swan – Darleen Clifton Smith, Norman McDonald – Kyle Hager, Mr. Jenkins – Pete Bethke, Uncle George – Kelly Carroll, Sally Chessington – Jennifer Bell, Doctor Chapman – Joe Walker, Mr. Forbright – Alan Stukenholtz, Ms. Cowper – Sarah Simpson, Miss Dixon – Coree Unruh
CREW: Director – Christopher Pyle, Stage Manager – Kristina Morgan, Light Design/Sound Design – Andrew Mortimer
MENU: Beef barley soup, beef wellington, parsley potatoes, broccoli and carrots, Parker House roll, red velvet cake. Catering provided by Linda Bethke, Brona Love, Linda Owens, Denise Ann Bamberger, Linda Connelly, Kathy Morgan, Steve Morgan, Mary Ann Straight, Sherry Polkinghorn, Barb Duesing, Mara Morgan, Faye Trent, Milly White, Dee Miller

Nuncrackers!
1999-12-02 - 1999-12-19
Those crazy nuns from the Little Sisters of Hoboken return in Nuncrackers!: The Nunsense Christmas Musical. This production was the first “TV Special” taped by the sisters in their convent basement studio for Cable Access. It starred the nuns from Nunsense plus Father Virgil and some of Mt. Saint Helen’s most talented students. It featured all new songs including: Twelve Days Prior to Christmas, Santa Ain’t Comin’ To Our House, We Three Kings of Orient Are Us, and It’s Better to Give Than To Receive. This show was filled with Nunsense humor, some favorite carols, a “Secret Santa,” and an uproarious take on Tchaikovsky’s Nutcracker Ballet. Maybe Nunsense really is habit-forming…!?!?
PERFORMANCE DATES: December 2-19, 1999
CAST: Sr. Mary Regina – Connie Penick, Sr. Mary Hubert – Karen Carroll, Sr. Robert Anne – Jana Ross, Sr. Mary Amnesia – Dee Dee Royle, Sr. Mary Leo – Kristina Morgan, Father Birgl – Greg White, John – Ryan Royle, Billy – Alec Ross, Maria – Katelyn Royle, Louise – Megan Copeland
ORCHESTRA/BAND: Kent Ross, Sara McFarland, John Westmacott
CREW: Director – Don Steele, Stage Manager – Kristina Mortimer, Costume Design – Dee Miller, Choreography – Michelle Weatherdon, Light Design – Gavin Carroll
MENU: Fruit salad, orange glazed ham, scalloped potatoes, green beans, apple cinnamon muffins, chocolate souffle cake. Catering provided by Linda Bethke, Andrea Bethke, Brona Love, Denis Ann Bamberger, Kathy Morgan, Pete Bethke, Steve Morgan, Mara Morgan, Linda Owens, Darleen Clifton Smith, Andy Mortimer, Milly White, Faye Trent, Jennifer Bell

Middle-Aged White Guys
1999-10-07 - 1999-10-30
Set in one of the nation’s finer landfills, three middle-aged white guys decide to take one last chance to salvage their slice of American culture. But when God gets angry, salvation can be painfully funny. This hilarious satire airs America’s dirty laundry and probes the most sensitive of place – what it means to be a member of the white guy club.
PERFORMANCE DATES: October 7-30, 1999
CAST: R.V. (A Forerunner) – Kristina Morgan, Roy (the Mayor) – Jim Johnson, Clem (The Businessman) – Kelly Carroll, Mona (A Woman in Transition) – Sarah Simpson, Moon (The Mercenary) – Kyle Hager, King (A Messsenger) – Joe Walker, Mrs. Mannering (Mother) – Denis Ann Bamberger
CREW: Director – Don Steele, Stage Manager – Sarah Simpson, Assistant Stage Manager – Denis Ann Bamberger, Sound Design – Sara McFarland, Light Design – Ted Warshaw, Costume Design – Dee Miller
MENU: Tossed salad, chicken parmagianna, penne pasta with sauce, Italian vegetables, garlic bread, pudding and spumoni cookies. Catering provided by Linda Bethke, Linda Owens, Pete Bethke, Kathy Morgan, Steve Morgan, Sherry Polkinghorn, Barb Duesing, Mara Morgan, Faye Trent, Milly White, Alan Stukenholtz, Darby Musselman

Front Street Follies of '99
1999-07-01 - 1999-07-31
A fun-filled night of food and entertainment. A great home-cooked dinner before the show. Then, entertainment by members of the Company with songs and comedy, and cheers for the hero and boos for the villain as good triumphs over evil in a rousing melodrama.
PERFORMANCE DATES: July 1999
CAST:
ORCHESTRA/BAND:
CREW:
MENU:

Pools Paradise
1999-04-08 - 1999-05-01
Pools Paradise by Philip King is set in Reverend Lionel Toop’s vicarage in Merton cum Middlewick. Characters include Penelope, who dabbles in a football pool with the help of their maid, Ida, and Ida’s suitor, Willie Briggs. The farce ensues when the triumvirate wins, or when they think they have won more than 20,000 pounds. Adding more comic elements are the old maid parishioner, Miss Skillon, and Penelope’s out of this world uncle, The Bishop of Lax. Confusion reigns supreme and the plot becomes secondary.
PERFORMANCE DATES: April 8 – May 1, 1999
CAST: Penelope Toop – Darleen Smith, Ida – Kristina Morgan, Rev. Lionel Toop – Kent Ross, Miss Skillon – Sarah Simpson, Willie Briggs – Joey Walker, Rev. Humphrey – Paul D. Marshall, The Bishop of Lax – Greg White
CREW: Director – Don Steele, Stage Manager/Key Grip/Set Design – Monica Mills, Light Board Operator/Sound Board Operator – Connie Penick, Set Design – Barry Metcalf, Sherry Polkinghorn, Rod Crick, Virginia Crick, Costume Design – Dee Miller
MENU: Cabbage and pepper hash, corned beef, corn, oven baked potatoes, scones, crumble pudding. Catering provided by Brona Love, Linda Bethke, Linda Owens, Deedee Miller, Kathy Morgan, Steve Morgan, Denis Ann Bamberger, Sherry Polkinghorn, Faye Trent, Milly White, Karen Koontz, Kelly Carroll.

The Foreigner (Reprise)
1999-02-04 - 1999-02-27
(Original: February 1988). This play by Larry Shue, is set in a resort-style fishing lodge in rural Georgia and revolves around two of its guests, Charlie Baker and Englishman Staff Sergeant Froggy LeSueur. Charlie is so pathologically shy that he is unable to speak. As way of explanation, Froggy claims his companion is the native of an exotic country who did not understand a word of English. Before long, Charlie finds himself privy to assorted secrets and scandals freely discussed in front of him by the other visitors. These include a spoiled but introspective heiress and Southern belle Catherine Simms and the man to whom she is somewhat reluctantly engaged (and pregnant by) the Reverend David Lee, a seemingly humble preacher with a dark underside. Her younger brother, Ellard,a chubby and somewhat “slow” boy (often thought of as a young Forrest Gump) was a simpleton who tried to teach Charlie how to speak English. Owen Musser, the racist county property inspector, planned to oust property owner Betty Meeks and convert the lodge into a meeting place for the Ku Klux Klan.
PERFORMANCE DATES: February 4-27, 1999
CAST: S/Sgt “Froggy” LeSueur – Jim Johnson, Charlie Baker – Kelly Carroll, Betty Meeks – Joanne Welchel, Rev. David Marshall Lee – Chris Pyle, Catherine Simms – Jennifer Bell, Owen Musser – Pete Bethke, Ellard Simms – Kyle Hager
ORCHESTRA/BAND: Jim Johnson
CREW: Director – Don Steele, Light Board Operator/Sound Board Operator – Paul D. Marshall, Set Design – Barry Metcalf, Sarah Simpson, Jim Johnson, Set Design/Key Grip – Monica Mills
MENU: Soup, chicken, vegetables, rice, breadsticks, cake. Catering provided by Brona Love, Linda Bethke, Linda Owens, Deedee Miller, Kathy Morgan, Steve Morgan, Denis Ann Bamberger, Sherry Polkinghorn, Faye Trent, Barb Duesing, Sarah Simpson, Karen Koontz

The Best Christmas Pageant Ever!
1998-12-03 - 1998-12-13
The story begins with the Bradleys, a typical family, preparing for their church program. All the preparations go as schedule until the director has an unfortunate accident. Grace Bradley agrees to direct the Christmas pageant and comes face to face with the Herdmans. The whole pageant seems to come apart until the night of performance and the true miracle of Christmas unfolds.
PERFORMANCE DATES: December 3-13, 1998
CAST: Beth Bradley – Rachel Vale, Alice Wedleken -Danielle Hulett, Maxine – Ashley Hulett, Charlie Bradley – Ryan Royle, Bob Bradley – David Cox, Grace Bradley – Christy Lampe, Irma Slocum – Judy Walton, Jane Clark – Molly Black, Vera CLausing – Lisa Walton, Edna McCarthy – Marilyn Black, Helen Armstrong – Deb Holuska, Leroy Herdman – Brandon Fuller, Imogene Herdman – Katelyn Royle, Diane – Morgan Morrison, Elmer Hopkins – Dahlton Vale, Gladys Herdman – Megan COpeland, Ralph Herdman – Blake Elder, Ollie Herdman – Andrew Cox, Claude Herdman – Matt Unruh, Hobie Clark – Tyler Royle, Sunday School Class – Leah Schmidt, Kaylee Holeman, Haley Gilbert, Erin Howard, Lindsey Bird, Erin Kenny, Doris – Mary Cox, Little Angels – Emilyjane Pyle, Alice Pyle, Grace Royle, Sarae Kistler, Firemen – Rod Copeland, Pete Bethke, Alan Stukenholtz, Ric Musselman, Reverend Hopkins – Steve Morgan
CREW: Director – Connie Penick, Stage Manager – Joyce Fuller, Costume Design/Properties Master – Patti Copeland and Janell Walton, Set Design – Sarah Simpson, Sherry Polkinghorn, Monica Mills, Charles Fuller, Rod Copeland, Brent Unruh, Light Board Operator/Sound Board Operator – Chris Pyle, Hair/Make up – Marcia McVay and Dee Dee Royle, Production Advisor – Don Steele
MENU: Tossed salad, butterfly steak, baby vegetables, baked potato, French bread, pecan pie. Catering provided by Brona Love, Linda Bethke, Andrea Bethke, Deedee Miller, Kathy Morgan, Pete Bethke, Sherry Polkinghorn, Faye Trent, Barb Duesing, Kelloy Carroll, Karen Carroll, Karen Koontz

Bosh & Moonshine at the Gaiety Saloon
1998-10-08 - 1998-10-31
Bosh & Moonshine at the Gaiety Saloon was specially written for the Company by Mike Craver. Set in contemporary Dodge City, Bosh and Moonshine at the Gaiety Saloon tells the story of a young woman who has taken out a loan and turned a landmark hotel into a bed-and-breakfast. As she does the last-minute cleaning before the grand opening, the vacuum cleaner explodes, and out the dust step several early Dodge residents including a notorious gun-slinger named ‘Mysterious Dave Mather’, a ‘fancy lady’ named Fannie Mae Garretson, a Shakespearian Tragedian known as Frederick Forsythe Fosdick the Third, and Reverend Mould, a mild mannered undertaker. The past and present meet head-on and the spirits from the past discover that they have unfinished business to attend to. Key to the story is the tale of Dora Hand, who was accidentally shot while sleeping at the mayor’s house in 1878. Two of the characters in the play really did live in Dodge City — Mysterious Dave Mather, a gunslinger, and Fannie Mae Garretson, a saloon singer. Fannie Mae, Craver said, was with Dora Hand the night she was shot.
PERFORMANCE DATES: October 8-31, 1998
CAST: Lynn – Marci Williams, Mysterious Dave Mather – Mark Mahieu, Rev. Mould – Mike Craver, Fannie Mae Garrettson – Karen Carroll, Frederick Forsythe Fosdick III – Jim Johnson, Ollie O’Leary – Kyle Hager, THE BUNKHOUSE BOYS: Crunchy – Kent Ross, Stubby – Alan Stukenholtz, Jaws – Chad Mickey
CREW: Director – Don Steele, Stage Manager/Sound Board Operator/Set Design – Deanna Johnston, Light Board Operator – Paul D. Marshall, Costume Design – Dee Miller and Anne Curtis, Set Design – Mike Craver, Barry Metcalf, Monica Mills, Mischel Miller, Denis Ann Bamberger, Darleen Clifton Smith, Marla Bethke
MENU: Green and white salad, autmn pork chops, melon ball potatoes, roll, lemon silk cake. Catering provided by Brona Love, Linda Bethke, Darleen CLifton Smith, Deedee Miller, Linda Owens, Kathy Morgan, Steve Morgan, Pete Bethke, Denis Ann Bamberger, Sherry Polkinghorn, Faye Trent, Barb Duesing, Kelly Carroll, Paulette Setkins.

Out of Order
1998-04-16 - 1998-05-09
This play tells the story of Conservative Government MP, Richard Willey, who is attempting to have an affair with one of the secretaries of the leader of the Opposition in a top London hotel. However, with a conniving waiter, a suspicious hotel manager, an alert private detective, an angry wife, a furious husband, a bungling secretary, an unconscious nurse and a dead body, nothing is going to go as planned.
PERFORMANCE DATES: April 16 – May 9, 1998
CAST: Richard Willey – Kelly Carroll, The Manager – Greg White, The Waiter – Pete Bethke, The Maid – Kristina Morgan, Jane Worthington – Mandy keezer, A Body – Kent Ross, George Pigden – Joe Walker, Ronnie – Jason Keezer, Pamela – Darleen Clifton Smith, Gladys – Denis Ann Bamberger
CREW: Director – Don Steele, Stage Manager/Set Design – Monica Mills, Light Board Operator/Sound Board Operator/Set Design- Dustin Shepard, Set Design – Barry Metcalf, Mark Mahieu, Greg White, Lise Sinclair
MENU: Salad, baked steak, beans, baked potato, frozen dessert. Catering provided by Brona Love, Linda Bethke, Deedee Miller, Linda Owens, Kathy Morgan, Steve Morgan, Paul Marshall, Lise Sinclair, Amy Reinert, Marilyn Black

Das Barbecü
1998-02-05 - 1998-02-28
Set in various locations throughout present day Texas, Das Barbecü is loosely based on Richard Wagner’s massive four-part 20-hour opera cycle DER RING DES NIBELUNGEN – neatly compressed into a fun little two-hour musical comedy. Opera-lovers and opera-haters alike enjoyed this witty fable of love conquering greed set in the Lone Star State. Hilarious scenes spin around two sets of mismatched lovers who meet on the day of their shotgun double wedding and three generations of outrageous characters from two feuding families. This is one show full of big hair, big hats, and wonderful music—including an infectious ode to guacamole and a tender ditty entitled “Hog Tie Your Man”—making this show a blast for opera buffs and anybody who just loves a good time. Songs run the gamut from Broadway to Texas swing – from jazz to twangy country-western.
PERFORMANCE DATES: February 5-28, 1998
CAST: Narrator/Fricka/Erda/Backup Singer/Kat;sy Snapp/Rivermaiden/Balkyrie – Karen Carroll, Wotan/Gunther/Hagen/Giant – Mark Mahieu, Siegfried/Norn Triplet/Milam Lamar/Alberich/Giant – Kyle Hager, Gutrune/Norn Triplet/Freia/Y-Vonne Duvall/Rivermaiden/Valkyrie – Connie Penick, Brunhilde/Norn Triplet/Rivermaiden -Amy Reinert
CREW: Director – Don Steele, Stage Manager/Set Design – Marci Williams, Assistant Stage Manager/Set Design – Mandy Keezer, Light Board Operator/Sound Board Operator – Greg White, Costume Design – Dee Miller, Paul Marshall, Barb Buesing, Michelle Christensen, Costume Design/Set Design – Darleen Smith, Hair/Make up – Johnny Martinez, Set Design – Bary Metcalf and Mark Mahieu
MENU: French onion soup, barbecued brisket, corny macaroni, cole slaw, cherry crisp. Catering provided by Brona Love, Linda Bethke, Deedee Miller, Linda Owens, Kathy Morgan, Steve Morgan, Denis Ann Bamberger, Paul Marshall, Darleen Smith, Lise Sinclair, Pete Bethke

A Tuna Christmas
1997-11-20 - 1997-12-13
Set the fictional town of Tuna, Texas, the “third-smallest” town in the state. The plays are at once an affectionate comment on small-town, Southern life and attitudes but also a withering satire of the same. The plays are notable in that generally, two men play the entire cast of over twenty eccentric characters of both genders and various ages (when the Company did Greater Tuna in 1989 – three actors covered all the parts). The plot of A Tuna Christmas centers on the town’s annual Christmas Yard Display Contest, won 14 times in a row by Vera Carp. A mysterious “Christmas Phantom,” known for vandalizing the yard displays, threatens to throw the contest into turmoil. Among the subplots are Stanley Bumiller’s attempts to end his probation and leave Tuna, Bertha Bumiller’s trying to hold her family together at Christmastime, and Joe Bob Lipsey’s struggle to mount successfully his production of A Christmas Carol despite numerous vexations and obstacles.
PERFORMANCE DATES: November 20 – December 13, 1997
CAST: Thurston Wheelis/Elmer Watkins/Bertha Bumiller/R.R. Snavely/Aunt Pearl Burras/Sheriff GIvens/Ike Thompson/Inita Goodwin/Leonard Childers/Phoebe Burkhalter/Joe Bob Lipsey – Kent Ross and Arles Struvie/Didi Snavely/Petey Fisk/Jody Bumiller/Charlene Bumiller/Stanley Bumiller/Vera Carp/Dixie Deberry/Helen Bedd/Farley Burkhalter/Garland Poteet – Kelly Carroll
CREW: Director – Don Steele, Stage Manager – Jennifer Bell, Light Board Operator/Sound Board Operator – Chris Cave, Costume Design – Carolyn Johnson, Hair/Make up – Johnny Martinez, Set Design – Linda Connelly, Sarah Simpson, Barry Metcalf, Darleen Smith, Paul marshall, Lise Sinclair
MENU: Applesauce salad, baked chicken breast with cream sauce, orzo pasta, peas and carrots, orange cranberry muffin, cheesecake. Catering provided by Brona Love, Linda Bethke, Deedee Miller, Linda Owens, Kathy Morgan, Steve Morgan, Amy Reinter, Denis Ann Bamberger, Paul Marshall, Darleen Smith, Pete Bethke.

Wait Until Dark
1997-10-02 - 1997-10-25
Wait Until Dark is a play by Frederick Knott. The mystery thriller’s heroine is Susy Hendrix, a blind Greenwich Village housewife who becomes the target of three thugs searching for the heroin hidden in a doll, which her husband transported from Canada as a favor to a woman who since has been murdered. The trio tries to convince Susy that her spouse has been implicated in the crime and the only way to protect him is to surrender the doll. More murder and mayhem ensue when she refuses, with the stage lights turned off for the final scene when Suzy levels the playing field by plunging her apartment into total darkness.
PERFORMANCE DATES: October 2-25, 1997
CAST: Mike – Steve Morgan, Carlino – Brian Bailey, Roat – Christopher Pyle, Susy Hendrix – Kristina Morgan, Sam Hendrix – Kyle Hager, Gloria -Megan Copeland, Patrolman One – Dustin Shepard, Patrolman Two – Pete Bethke
CREW: Director – Don Steele, Costume Design – Dee Miller, Administrative Assistant – Lise Sinclair, Shop Assistant – Jason Keezer, Set Design – Darleen Smith, Sarah SImpson, Greg White, Barry Metcalf
MENU: Tossed salad, pot roast, mashed potatoes and gr;avy, corn, fresh rolls, fruit miscellanea. Catering provided by Brona Love, Linda Bethke, Deedee Miller, Darleen Smith, Linda Owens, Paul Marshall, Amy Reinert, Mandy Keezer, Kathy Morgan, Kathy Giebler, Denis Ann Bamberger, Joanne Welchel, Lise Sinclair.

Radio Gals
1997-04-17 - 1997-05-10
Radio Gals is a musical by Mike Craver and Mark Hardwick, set in the late l920’s, and concerning an enterprising woman, Hazel Hunt, of Cedar Ridge, Arkansas who, upon her retirement as the town music teacher, receives a Western Electric 500 watt radio transmitter and begins broadcasting as radio station “WGAL”. What comes out over the local airwaves is a small town diary, calendar, and stream of consciousness — sort of a Molly Bloom crossed with the Farmers’ Almanac — with generous dollops of singing and playing by Hazel’s “all-girl” orchestra, “the Hazelnuts”, and that lovesick flapper Gladys Fritts. However, due to Hazel’s habit of “channel wandering”, her broadcasts are not always so local. And listeners as far away as Montreal and Manhattan can testify. Enter O. B. Abbott, Federal Radio Inspector, intent on rescuing the airwaves from gypsies like Hazel Hunt. However, Mr. Abbott soon falls prey to the blandishments of the Hazelnuts, and the Shangri-La that is Cedar Ridge. Inspector Abbott, it turns out, also has a fine tenor voice, plays a mean accordion, and in the course of things falls for the flapper.
PERFORMANCE DATES: April 17 – May 10, 1997
CAST: Hazel Hunt – Karen Carroll, Miss Azilee Swindle – Alisa Nickel, Miss Mabel Swindle – Kristina Morgan, Miss Klea Swindle – Becky Matticks, Rennabelle – Dee Dee Royle, America – Penny Cox, Gladys Fritz – Connie Penick, O.B. Abbott – Steve Morgan
CREW: Director – Don Steele, Stage Manager – Jason Keezer, Costume Design – Dee Miller, Hair/Make up – Johnny Martinez, Set Design – Dustin Shepard, Darleen Clifton Smith, Claudia Pyle, Kelly Carroll, Barry Metcalf, Sarah Simpson
MENU: Salad, grilled steak in special marinade, green beans and carrots, baked potato, bread, cake. Catering provided by Brona Love, Dee Miller, Linda Owens, Darleen Clifton Smith, Paul Marshall, Denis Ann Bamberger, Dustin Shepard, Kathy Morgan, Linda Bethke, Pete Bethke, Kelly Carroll

The Odd Couple
1997-02-06 - 1997-03-01
The plot concerns two mismatched roommates, one neat and uptight, the other more easygoing but slovenly. Sources vary as to the origins of the play. Most sources claim that Simon was inspired to write the play when he saw his brother Danny Simon and theatrical agent Roy Gerber living together after recent divorces. However, in the Mel Brooks biography It’s Good to Be the King, author James Robert Parish claims that the play came about after Simon observed Brooks, in a separation from his first wife, living with writer Speed Vogel for three months. Vogel later wrote that Brooks had insomnia, “a brushstroke of paranoia,” and “a blood-sugar problem that kept us a scintilla away from insanity.”
PERFORMANCE DATES: February 6 – March 1, 1997
CAST: Speed – Paul D. Marshall, Murray – Mark Mahieu, Roy – David Cox, Vinnie – Pete Bethke, Oscar Madison – Jim Johnson, Felix Ungar – Kent Ross, Gwendolyn Pigeon – Sarah Simpson, Cecily Pigeon – Darleen Clifton Smith
CREW: Director – Don Steele, Stage Manager – Jason Keezer, Costume Design – Dee Miller
MENU: Minestrone, baked pork chops, corn, scalloped potatoes, cornbread muffins, cheesecake. Catering provided by Brona Love, Dee Miller, Linda Owens, Denis Ann Bamberger, Alisa Nickel, Deanan Johnston, Kathy Morgan, Liz Riegel, Mischell Miller, Monica Mills

A Homestead Christmas
1996-12-12 - 1996-12-15
A musical review by the Company for Christmas.
PERFORMANCE DATES: December 12-15, 1996
CAST: Pete Bethke, Jennifer Fuller, Stephanie Groth, Kyle Hager, Deb Holuska, Alison Mahieu, Brittany Mahieu, Mark Mahieu, Barry Metcalf, Dee Miller, Kristina Morgan, Mara Morgan, Alisa Nickel, Jesse Peach, Connie Penick, Amy Reinert, Chad Reynolds, Liz Riegel, Casey Ross, Kent Ross, Sarah Simspon, Darleen Smith, Jill Smith, Don Steele, Dave Wetmore, LuAnn Wetmore
ORCHESTRA/BAND: Keyboard – Kristina Morgan and Don Steele
MENU: Catering provided by Brona Love, Denis Ann Bamberger, Linda Bethke, Deanna Johnston, Paul D. Marshall, Kathy Morgan, Linda Owens
